The primary agenda of this drawing is to embrace spontaneity, reflection, and transformation in the drawing process that can reveal emergent spatial possibilities. The drawing begins with smudging graphite powder on a blank sheet of paper. Without making heavy judgments on how and where the act of smudging occurs, the spontaneous actions produce a ‘ground’ for the next phase of mark-making. Being sensitive to the qualities of the ground, a disciplined sequence of mark-making takes place. A simple rectangle is a geometric basis and creates 12 different shapes by 30 degrees of incremental rotations in an isometric view. Then, 12 different sizes for each mark are determined. These 144 marks are made in distribution with three distinctive properties: outlined, hatched, and erased. Every mark numbered with a number stamp occupies the space of drawing in the composition of the marks to unmarked space and gradually cultivates the drawing ground. After completion of the 432 mark-making, the drawing is carefully reflected and investigated for emergent geometric potential and prepared for the final drawing phase of transformation. By drawing lines that connect same-sized marks, 12 different blob shapes are produced, and the most visually intriguing ones are rendered with vertical lines and gradations, which suggest architectural form and space. This drawing implies the speculative and generative architectural design process, providing opportunities to increase visual sensitivity and develop transformational skills through the discipline of insistent mark-making.

 

Mylar, graphite, pen, digital print, spray paint, 43″x31″, 2021